Past Lives: A Tale of Fate, Choices and Connections

A movie review and discussion by Kate O’Brien. 

Last weekend I went to see Past Lives in the cinema. It was a great way to spend the afternoon. 

This movie just came out, it was released on the 7th of September 2023. 

It was directed by Celine Song, and the movie stars Greta Lee and Teo Yoo. 

The pair play childhood sweethearts Na Young, (Nora) and Hae Sung. 

The movie follows childhood sweethearts, Na Young and Hae Sung as they grow from childhood best friends to adults who must decide what they mean to each other. The movie opens with a childhood romance in South Korea, but the school friends are separated when Na Young and her family immigrate to Canada. The movie then follows the pair as they reconnect later on, then grow apart, and reconnect. The pair find each other over and over again. 

This movie has a few key themes. It explores the idea of soulmates, it explores love and the many forms that love can be found in. It explores human connections and how certain people are just drawn to each other for reasons that may seem hard to explain. It also explores the clashing ideas of choices vs fate. The movie highlights the Korean philosophy inyeon, which is an idea and a belief that if people are destined to, they will meet, even if they are miles apart. The movie shares the idea that if two strangers brush past each other and they touch on the street, it was not an accident, it was because they knew each other in a past life. Whether you believe in past lives or not, whether you believe in fate or not, or in the idea of “the one,” or not, the concept is a beautiful one. 

I really enjoyed the movie. It was very stylish. The pacing was slow, and warm, it felt intimate. 

As an audience member, at times it almost felt like I was intruding on a private, personal conversation, which is a testament to how brilliant these actors were. The movie felt realistic without  being cynical. The acting was nuanced, casual, not over the top. I believed these two people were lifelong friends, and maybe more, in another time, in another place. 

The movie did have sub-titles as the two main characters speak mostly in Korean, however I personally have no issues with sub-titled movies. I never feel like it is harder to get invested, and in fact, I think it is a beautiful thing that this movie moved me so deeply, and it wasn’t even in my first language. Human connections, relationships, life’s ups and downs, all of these things are deeply understood, sub-titled or not. 

This movie was very wholesome. That is the perfect word to describe it in my opinion. It made me laugh, and it made me cry. I really enjoyed the way the story acknowledged story structures and certain expectations but subverted them. Without spoiling anything, what I will say is that the trope of lifelong, childhood sweethearts is a hard one to pull off, especially if the story introduces another love interest, one who does not have the same history. 

We expect childhood sweethearts to finally get married when they’re adults. The idea is a lovely one. We root for the couple who have history, who have known each other all of their lives, who have grown up together. We root for them because the idea is comfy. The thought of ending up with someone who knows us so well is a nice thought. It’s easy, but how many actually end up with their first love? We grow up, we grow apart, sometimes by things beyond our control as shown in this movie. Na Young did not want to move, but she was twelve and her family moved so she did too. We change as we grow, and sometimes while we can still love people, we grow out of them. I’m not suggesting that no childhood sweethearts ever make it work, of course there are always exceptions to every rule, but I do believe that the idea is nicer than the reality. 

I appreciate the way this movie highlighted the fact that a lot of things in life happen because we make choices. Na Young, now Nora, chose to place distance between herself and Hae Sung again because she was determined to make her life in New York work and her calls, texts, and FaceTimes with Hae Sung were distracting her, and they were becoming a source of sadness since both could not visit the other for a long time, due to work commitments, finances, etc. 

In order to focus, she says she wants to take a break from talking. 

By doing this, her life changes again, and that change was inevitable. 

Past Lives beautifully illustrated the realities of growing up and creating a life for ourselves, and the realities of how we gain and lose people in life in a very realistic way without being cynical. 

This movie was an extremely wholesome, enjoyable watch, and I thoroughly enjoyed it. 

I would highly recommend it. Sweet, funny, with just the right amount of poignancy, this movie is ideal for a rainy day. 

Be sure to follow me on Instagram if you don’t already @katelovesliterature.com for all updates about what is coming up next on katelovesliterature.com 

The Land of Lost Things by John Connolly

A review and discussion by Kate O’Brien. 

When I read the first of this series, The Book of Lost Things, I said it was a nod to dark and twisted fairy tales, ideal for those who enjoy anything a bit Grimm. (Pardon the pun.) 

I eagerly awaited Connolly’s sequel. In fact, I read this entire book in a four-hour sitting. 

I was enthralled, happy to read a new tale, and happier again to see old favourites appearing once more. 

I’ve taken some time to sit with this sequel, to think about it,  to try to answer the famous question of which book do I prefer? 

I prefer the original. Predictable, I know, but it is true. The world that John Connolly created in the first book was scary and intriguing. Poignant and emotional. Returning to it was interesting, but without the thrill of the complete unknown. 

The Land of Lost Things introduces readers to a new protagonist, this time not a lost child, but the mother of a lost child. Ceres is stuck, her child Phoebe is comatose and has been since the car accident. The bright, curious child she once was is becoming more and more like a distant memory to Ceres, who fears she may never see that lively child again. 

I will say now that this book, similar to the first book, contains some very sad and dark themes about sick children, about losing children, and about the grief, fear, and anger that parents carry while trying to stay hopeful. It is a sad read, so not for readers who want some lighthearted escapism. 

When Ceres allows her worst fear to be uttered aloud – that perhaps things would be easier if Phoebe was out of pain, she finds herself chased into the same mysterious land that David found himself in when he wanted to escape his new life with his stepmother and stepbrother in the first book. 

Ceres finds herself sixteen again and she must face her fears and find her way back home, back to her child, and she does this with the help of familiar faces. The idea of being a teenager again and how horrified Ceres is by this is very funny. It’s a really interesting concept because Ceres is stuck in her teenage body, but she still has all of the knowledge she has gained over the years and as a mother. So she’s almost this ideal that some strive for. Many people wish for the carefree days of their youth back, or perhaps they wish to look as they did when they were younger, but with all of the knowledge of hindsight. Ceres is in this position, yet the idea of placing her back in her teenage body when she is in a fairy tale realm worked really well because the character tells readers that sixteen was her worst year. She hated it. She felt completely insecure, powerless, and vulnerable, and placing her back in that place works really well as it visually mirrors how she feels about the ordeal she is facing with her daughter. Once again she feels angry, scared, and utterly powerless. She cannot do anything for her child aside from hope that one day she’ll wake up, all she can do is hope she is not in any pain. 

While I would recommend reading The Book of Lost Things first, it is important to note that this book can be read by itself. Connolly is a very vivid writer, it is clear that he is an avid reader of fairy tales, and he understands the way that they can leave a lasting impact on readers. There are certain stories that we carry with us for life. They can bring us an escape and they can bring us hope and wonder in times when we need them to do that for us.  In this story, Connolly expresses an appreciation and a love for literature. The importance of literature is a key theme alongside the  bleaker themes of fear and grief. Books can go out of print, but they can’t be forgotten if they’ve been read, if someone is talking about them. Books live on in so many ways, and as Connolly rightly states, “It’s not the people who read books you have to worry about, but the people who don’t.” 

I believe that I said the same thing about The Book of Lost Things, but the same applies for this book, ultimately it is a quest. At its core, this story is a quest, almost an epic quest I’d argue as Ceres must journey across a new realm, facing fears and facing dangers, all in order to achieve her ultimate goal, which is of course to find her way home to her child. 

In terms of writing style, Connolly is very descriptive, very vivid, and almost cinematic in the way he paints pictures with his words. The story moves at a fast pace and it is full of information, in fact at times there is almost too much going on, but that tends to happen when stories are set in fantasy worlds. Connolly is also fond of ending chapters with a cliffhanger, so be prepared to be in suspense for a while when reading. Without spoiling the ending of this book, I will say that I preferred how the first book ended. It felt more complete than this ending. That is due to the fact that David’s arc ends very differently, we are given a lot of closure as readers about David’s arc, whereas in this book, Connolly leaves readers with an unknown, although it is a hopeful unknown. 

The ending suits the book perfectly. The tone and how it all ends is very apt, and the way the story ends is the entire point of the book, but I will argue that David’s arc and his ending with more information makes for a more satisfying end. 

Warning – Spoiler – Skip This Section If You Do Not Want To Know The Ending 

The book ends with Ceres returning to her daughter after chasing Lady Death, who was hovering over her away. Ceres is scared, she does not know if things will be okay, but she has hope, and she does not want to give up her hope. She begins reading to Phoebe, and after months of no signs of anything at all, the book ends with Ceres feeling one of her fingers moving. 

That’s it. We don’t get anymore information. We don’t know if Phoebe will be okay. We don’t know if she’ll make it after everything that Ceres has been through. People critique “fairy tale endings,” and “happily ever afters.” Perhaps it would have been too obvious if Phoebe woke up at the end. The fact that we are left with a small sign of hope but also with uncertainty very beautifully makes the point that Connolly has been setting up throughout the entire book. Sometimes all we have is hope, and hope is worth holding on to. The ending makes sense and fits the overall tone that Connolly has created, but personally I enjoy endings that feel more complete. I’d have been happier if the book had have ended with her eyes opening and that’s it. No big reunion, no dialogue shared, just her eyes opening before the end. A small finger movement is a hopeful sign, and perhaps Phoebe went on to be okay, that’s up to us readers to imagine. 

Spoilers Over.  

For fairy tale lovers, for readers who enjoy fantasy and adventure, The Land of Lost Things is a must read. There are some wonderful classic fairy tale references that readers with keen eyes will be delighted to spot! For those who love stories that are on the darker side, this book is for you as Connolly is not afraid to lean into the dark and grim. 

Make sure you follow me on Instagram @katelovesliterature if you don’t already to stay up to date on all things that are #comingsoon on katelovesliterature.com 

Theatre Trip: Dirty Dancing, The Classic Story Live On Stage

A discussion by Kate O’Brien 

I am very excited to be writing about another #theatretrip! 

As always, I had an amazing time at the Bord Gáis Energy Theatre. 

Last week we went to see the incredible Dirty Dancing live on stage and it did not disappoint. As fans of the movie we were very excited to see the story brought to life. This show is a treat. 

In many ways it is an interesting show to go and see due to it being a live retelling of an iconic movie, this show and others like it, attract a very enthusiastic audience. I won’t go into too much detail on this point now because it is irrelevant to a theatre trip discussion and it is also irrelevant to how fantastic the show is, but in terms of audience discussions, it is fascinating to reflect on how some of the more serious, social commentary scenes come either directly before or after sexier moments on stage. These heavier moments that give weight to both the show and the movie clash directly with cheers from the audience because Baby and Johnny are finally having their big romantic scene and it is a scene that everyone has been waiting for.

In terms of pacing, when watching the movie, I’ve always wished that at least a day had passed in between Penny’s tragic and terrifying abortion gone wrong scene and Johnny and Baby’s intimate scene, just because the switch from being so terrified about Penny’s health to watching two characters finally come together romantically at last after the build-up between them has always felt a bit odd. I feel this pacing is odd on stage too. I understand the logic behind it. Baby is comforting Johnny, apologising for her father’s rudeness to him, Johnny is telling her how much he admires her and the scene builds to Baby confessing her feelings for him. She’s afraid she’ll never feel so deeply for anyone ever again. So I do understand how the scene comes to play out as it does, I do just wish that there had been some space between that scene and the terrifying scene that comes before it. The scene before is such a crucial moment for Penny’s arc and I always wish we had been allowed to sit with it for a while longer, but that is a personal opinion, and although I do have some thoughts about the pacing, that has nothing to do with the phenomenal job that the cast did. 

Michael O’Reilly plays Johnny. The rugged and charismatic dance teacher whom we all adore. Michael is a true leading man, he commands attention and applause in every scene he is in. I think he perfectly balanced portraying Johnny in a way that felt familiar and true to the movie, without doing a total Swayze impression. I detected a southern accent, if I’m not mistaken, and I thought that he did an incredible job throughout the show. He is clearly a fantastic dancer, and he quite obviously endeared himself to an entire Dublin audience because the cheers that erupted when he returned for his big moment were electric! 

I also thoroughly enjoyed how he waited for the cheering to quiet down (which involved audience shushing too) to deliver his iconic line “Nobody puts Baby in a corner!” 

Kira Malou was charming as Baby. Again, she embodied some of the iconic moments from the movie without being a caricature. Her personal and sexual awakening felt very organic and natural. It is a real treat seeing Baby come into her own as the show progresses. At its core, Dirty Dancing is a coming of age story. Baby comes of age. She becomes her own person, she realises that her father is not always right about everything. She falls in love, she learns that she has strong opinions about things and how sometimes she will disagree with things she has been taught and that is okay. It is an empowering story about a young woman who finds her voice and loudly uses it. In fact she expresses herself with her entire body through the art of dance and Kira Malou was absolutely fantastic in the role. 

Georgia Aspinall dazzled as Penny. Penny is one of my favourite characters. Her arc is so crucial to the entire plot. Georgia was both fiery and very endearing, and of course she was an incredible dancer. Penny is such a complex part. She is scared, she is both hurt by and angry at Robbie. In the beginning she is hostile towards Baby and you can’t blame her for that, and then she is completely appreciative of the lengths that Baby goes to in order to help her. It is a rollercoaster of a part but Georgia’s performance always felt very genuine. One of my favourite scenes takes place during the “Hungry Eyes” training sequence. I love the moment when Penny dances with Baby and Johnny. She gives her the high heels, she helps her with the sexier dance moves. Penny really helps Baby come into her own and embrace her sexual side. It is so lovely to see two female characters who could not be more different find common ground and support each other. 

The rest of the cast was incredible too. Each of the ensemble scenes, where everyone bursts onto the stage and begins to dance, were fantastic. The stage was filled with passion and talent. You truly feel like you’re in the staff dance house when you’re watching from the audience. Everyone is working together but doing different moves. Lifts here, spins there, everywhere you look there is something amazing happening, all set to some iconic music. Bravo to the cast, crew, and to the staff at Bord Gáis Energy Theatre.

Dirty Dancing live on stage is a treat for movie lovers and theatre lovers alike. 

It is a show that is buzzing with energy, passion, love, and underneath all of that, the show is grounded by some key themes surrounding coming of age and social issues. If you get the opportunity to see this show, don’t miss it! 

Be sure to follow me on Instagram @katelovesliterature if you don’t already for all updates about what is #comingup on Katelovesliterature.com

Girls Who Slay Monsters: A Magical, Mythological Collection of Tales, Passionately Told.

Girls Who Slay Monsters by Ellen Ryan.

A review and discussion by Kate O’Brien.

I once read that Ellen Ryan’s Girls Who Slay Monsters was like coming home. 

I can’t help but agree. As a woman who is very proud of being born and bred in Dublin, I loved seeing Irish mythology being brought to life in such a beautiful way. This book features twenty-four different Celtic goddesses, and each story is accompanied by detailed illustrations and fun facts about the particular goddess or story setting in question. 

Ellen Ryan’s passion for Irish mythology is evident with every turn of the page. 

In my opinion, Girls Who Slay Monsters is a gem of a YA book because Ryan’s writing perfectly masters the dance of not being too simple so older readers will be thoroughly engaged, but she also introduces Irish mythology in a way that is easily accessible for readers on the younger side, or for any readers who are unfamiliar with these impressive figures. 

Ireland’s goddesses were powerful figures. Warriors, scholars, lovers, artists, and inventors. 

These powerful women lived layered, full lives, and it is fantastic seeing their stories told with such love. Ryan’s writing style is quite modern as she steps away from old clichés. Her stories put female strength at the forefront in every tale, and as we are all learning all the time these days, strengths come in many different forms. 

As I was reading Girls Who Slay Monsters, a particular idea stood out to me.

As I was diving into Ryan’s mythological world, I was struck by just how timeless these goddesses truly are. It might seem unbelievable to suggest that one can relate to or connect to figures from thousands of years ago, but I think the best kind of literature connects us through the ages. We still revere Shakespeare because even though his works are from centuries ago, at their core, so many of his works discuss the human condition. Feelings fuel so many of his plays. It is interesting how nobody bats an eyelid when we talk about the timelessness of someone like Shakespeare, but the same attention is often not given to figures of Irish mythology.  

Ryan brings goddesses who have been forgotten or downplayed to the surface in her work. 

Girls Who Slay Monsters tells stories of women who were of different shapes and sizes, each with their own unique interests and talents. The most shocking thing is that so many of us likely have not heard of these goddesses before! It is stark and disappointing when I took note of just how many of these stories that I never heard about in school. 

Ryan’s work is accompanied by illustrations by Shona Shirley MacDonald. 

Her illustrations are a stylish combination of blues and greens, occasionally interrupted by vibrant pops and clashes of vivid oranges and reds. The images really take readers into the world that Ryan has so lovingly created, and younger readers especially could be taken in by the images first, but then find themselves thoroughly wrapped up in the stories. 

Picking a favourite story from this book is almost impossible, but I must say that the story Lí Ban Immortal Mermaid stands out to me each time I read it. It is a moving tale about Lí Ban, princess of Ulster, and how she finds her way back to her father. It is a tale of love, bravery, and of two people being separated and reunited. This line stands out starkly as Ellen has such a beautiful way with words, this line in particular is almost melodic. “All she could hear was the beat of her own heart.” (Pg. 54) 

I am really looking forward to Ryan’s next book Gods Don’t Cry. I look forward to seeing her take on the many different forms of masculinity. There are many different ways to be strong, just as there are many forms of intelligence, and men are just as layered and complex as women. I think she will present another beautiful book, one that tells various stories about some incredible Irish gods, and I look forward to seeing their stories told with as much love, care, and attention to detail that was so evident in Girls Who Slay Monsters. I am also really looking forward to seeing Conor Merriman’s illustrations. The snippets I’ve had the pleasure of seeing already are so striking. I’m excited to see how he brings the entire book to life.

I suspect that Ellen Ryan’s next book will be just as successful as her first one. I really wanted to read Girls Who Slay Monsters as I had heard such brilliant reviews from friends, and other reviewers, and of course Ellen Ryan got some extremely well-deserved accolades for this work. The 2023 CBI Awards come to mind. I was in the audience that day, and I had the privilege of meeting Ellen at an event for Gods Don’t Cry, so I am aware that I run the risk of appearing biased, but seeing her joy at discovering just how many young readers loved Girls Who Slay Monsters at the CBI awards, and hearing her enthusiasm, her excitement, and her passion for all of the work she is doing and has done as the launch of Gods Don’t Cry draws nearer has been wonderful. I love meeting creative and passionate people. I love hearing someone talk about the things they love. I love seeing someone succeed when it is obvious that so much work and care went into what they do. 

As a reviewer, and as someone who has always found a sense of comfort in literature and in the arts, I think that it is fair to say that often, literary works are passionately received. Audiences and readers love to love books. They love to find themselves immersed in new worlds, falling in love with new characters. That is why books mean so much to people. When it is clear that books are passionately received, it is a real treat to be able to immediately recognise when a story has been passionately told. Girls Who Slay Monsters is a collection of unique, engaging, page turning stories that Ellen Ryan has passionately told. There are a few tweaks here and there to some of the legends, but really what Ryan has done is remarkable. She has given a voice to figures who were previously silent, whose stories were at risk of never being told, especially when you consider how often female stories are told in a way that just acts as a side note to a man’s narrative. Ellen Ryan has made the goddesses the leads in their own stories. 

I would recommend Girls Who Slay Monsters to all young readers, but especially to young girls who are between the ages of ten and thirteen. Full disclosure, I think any adult who loves mythology, action, and adventure will love this book too so readers of any age should feel inspired to dive into this book. That being said, I think that this is an important book for young girls who are right on the cusp of maturity. For those who are trying to find their own voices, and their own independence, for those who are starting to carve out their own path, I think Ellen Ryan’s words will impact those readers the most. I think that age group, and those who are currently experiencing that journey into maturity will find comfort and inspiration in Girls Who Slay Monsters. 

Be sure to follow me on Instagram @katelovesliterature if you don’t already for updates on everything regarding Katelovesliterature.com

Discover Irish Kid’s Books

Ireland has an incredibly rich literary history. Ireland is home to legendary writers such as James Joyce, Oscar Wilde, Bram Stoker, and many more who have made it into the pages of our history books due to their incredible talent with words. 

Today, Ireland is still home to some extremely talented contemporary writers such as Anne Enright, Sally Rooney, Eoin Colfer, Sarah Webb, Ellen Ryan, and many, many more. Not to mention the abundance of wonderful Irish illustrators. We are a country overflowing with creative talent. 

The fact that we are home to fantastic writers, illustrators, and booksellers makes it all the more disappointing to learn that Irish books are just not receiving the visibility they deserve. 

In a recent article in The Irish Times, Fiona Gartland highlighted the concerns being raised by children’s author Sarah Webb and many others about how Irish books are being left behind due to many factors, one of them being that many books do not receive the same attention and promotion as books that come with big celebrity names attached to them. 

Sarah Webb recently took to social media to share that she noticed there hadn’t been an Irish writer or illustrator in the Irish top 10 for over 20 weeks. This is a real shame as there are so many wonderful books that children are missing out on. 

The ironic thing is, as noted in Gartland’s article, when children are given Irish books, they fall in love with them. Our Irish authors can hold their own. 

What can we do to promote Irish authors? 

Author Sarah Webb has created the Discover Irish Children’s Books campaign. You can lean more and discover how to get involved by visiting the website https://discoveririshkidsbooks.ie/about/ 

The aim of this campaign is to bring Irish children’s books and their authors and illustrators to the attention of young readers and adults. 

This campaign is needed because many children living in Ireland cannot name any children’s authors who are Irish or living in Ireland. Very few Irish books are appearing in festivals in Ireland. This does not make any sense. Books written by Irish authors should absolutely be given attention in Irish literary festivals and at Irish literary events. We should be able to showcase and celebrate the amazing talent we have on our doorstep. 

It is a terrible shame that Irish children’s books are hardly appearing in Irish children’s bestseller lists. 

There are so many steps that can be taken to help balance the scales so that Irish books are not being so massively overlooked. 

We need to spotlight them at our literary events. Bookshops need to showcase them in their stores. In classrooms, teachers and/or school librarians need to pay attention to the amazing Irish works at their fingertips and bring these books into their classes so kids can see them, read them, talk about them, and get excited about them. Unfortunately when we are young, the books we read are behind gatekeepers. When we are little, our books are bought for us, shown to us, and if we are never shown certain books then we don’t ever get the opportunity to love them. 

Adults buying books for their children, grandchildren, nephews, nieces, children of friends … whoever we may be buying books for, we have a responsibility and an incredible opportunity to expand the horizons of the young readers in our lives. 

As a literary reviewer, and as a book lover in general, I am going to make a very conscious decision to make sure that I highlight Irish books on Katelovesliterature.com. I am from Dublin, I’m very proud to be Irish, and even though I have featured Irish writers frequently on my platforms, I still believe that I could do even more. 

I want to be a Discover Irish Children’s Books champion, I want to give recommendations about wonderful books that I think young people would really enjoy, and I want to share and celebrate Irish talent and creativity. 

This campaign is not about ignoring other books or talking about giving young readers Irish books only, but it is about ensuring that Irish books have a seat at the table. It is about ensuring that we are not missing out on or overlooking some amazing stories. 

I do not just discuss books. I will continue to review and discuss films, poems, theatre, and theory and literary events and literary inspired trips as  I always have. I will continue to ensure that I discuss a broad range of literature, but I will be creating a list of Irish book recommendations and I will be continuously adding to that list so that when readers visit Katelovesliterature.com, not only will they find a wide rage of topics to read about, but they will also find a curated list of Irish book recommendations that I hope they will be inspired by, and I hope that they will come across new books that they will really enjoy. 

Be sure to visit https://discoveririshkidsbooks.ie/about/  for more information. 

Visit childrensbooksireland.ie. for some fantastic reviews and recommendations of Irish children’s books. 

Of course, if you don’t already, be sure to follow me on Instagram @katelovesliterature for all info and updates regarding Katelovesliteraure.com 

 #DiscoverIrishKidsBooks 

Monster Island: Fun Thrills for Young Readers

Monster Island by Freddie Alexander, illustrated by Helen O’Higgins. 

A short review by Kate O’Brien. 

This review is not an ad, it is not sponsored in any way, however I would like to thank HarperCollins Ireland for sending me the book. It is always a pleasure to receive #bookmail! 

Freddie Alexander’s delightfully spooky tale comes out on the 14th of September 2023. 

Be sure to add this book to your collection because it is a must read! 

A carefully balanced mix of scary and fun, this book is definitely a step up as it will appeal to young readers who want to enjoy a story that is a bit more advanced. 

Readers follow Sam Shipwright who has gone to live with her grandad on Draymur Isle. 

What could make trying to get used to a new place more challenging than discovering that the monsters we’re told hide under our beds are real after all? 

Yes indeed, monsters are REAL, and they are on a mission to eat every child on Draymur Isle. Can Sam stay safe? Find out for yourself by diving into Monster Island. 

Helen O’Higgins has brought Monster Island to life with the most impressive illustrations. Dark, mysterious, and full of contrasts, the illustrations have an almost Tim Burton-like feel to them. The visuals really add to the book and this is the ideal story for those who enjoy being just a bit scared! 

I really enjoyed reading this book. I think that I would have thoroughly enjoyed it when I was in primary school. I can picture my younger self curling up during quiet reading time in class, getting completely invested. I’d recommend this book for readers between the ages of 8-10. 

Do you enjoy being scared? What spooky book did you enjoy (perhaps you still enjoy it) when you were younger? 

Be sure to follow me on Instagram @katelovesliterature for all updates about what is coming up on Katelovesliterature.com 

My Florida Travel Diary (is long!) is #comingsoon 

Hi Barbie: Girlhood, Womanhood, and the Beauty of the Barbie Movie. 

A review and discussion by Kate O’Brien.

I think it is safe to say that the Barbie movie was one of the most anticipated movies of 2023.  The PR team went above and beyond. I’d been looking forward to seeing the movie for months and months and I am so delighted that I finally got to see it.  

I have never worked so hard to avoid spoilers before, because as I’m sure many of you know, this movie has generated a lot of discussion online.  

So before I dive into my discussion, let’s get two things clear.  

First of all this is not a children’s movie. So to all the parents who are making statements about how  this movie is inappropriate for children and that they had to leave early with their nine year old …  this is not a children’s movie. It is rated 12A in Ireland which means that the material is not  considered appropriate for anyone under the age of twelve years old.  

Secondly, and most importantly, the Barbie movie is NOT anti-men. This movie has been called  “woke.” It has been called “anti-men” and that just simply is not true. In fact, it is disappointing to  see that quite a lot of people have either missed the point entirely, or they’re refusing to see the  movie and its themes properly. It should be noted that this line of criticism is coming from a  specific kind of audience, however it is still disappointing to see a movie be dismissed when Barbie  has arguably brought some very important points of discussion to the table.  

I’ve seen the movie referred to as “feminism 101” and while I somewhat agree with this  statement, I don’t think this is a bad thing. Some people need a basic introduction to feminism.  

Is the movie very blunt with its messaging? Yes. Is this a bad thing? I don’t think so.  Was it a perfect movie? No. In fact there are some things that I wish were done slightly differently  in order to allow for more nuance in the piece, however I think that overall Barbie is a fantastic  movie.  

It is incredibly funny. It is packed with a great cast. The sets are absolutely gorgeous, and they have  that real old Hollywood feel because so many of them are hand painted instead of everything being  done on a green screen. The soundtrack is upbeat and fun, and in all the bright, pink glory, this  movie still hits you right in the heartstrings because it is filled with such poignancy.  

The movie was released on July 21st 2023 and it was directed by Greta Gerwig. The plot follows  stereotypical Barbie as her perfect life is interrupted by cellulite and impending thoughts of death.  Suddenly Barbie’s dream house is a place of nightmares and in order to go back to the way things have always been, she must travel from Barbie Land to the Real World. In the Real World, Barbie  must find the girl who has been playing with her – all Barbie dolls are being played with by  someone – because Barbie’s existential crisis is due to the girl’s thoughts merging with Barbie’s.  

So it is a quest, a bright pink quest as Barbie sets off from the idyllic Barbie Land, a place where  women rule, to the Real World, where she faces the complex realities of being a woman. 

The opening narration explains the impact of Barbie, you see, before there were Barbie dolls, little  girls played with baby dolls, and ironing boards, and mops. Little girls played pretend at being  mothers for being a mother and a homemaker is what girls could aspire to be.  

Now it is important for me to state that there is nothing wrong with aspiring to be a mother and/or a homemaker. This fact is often forgotten in the hustle culture that we often see society subscribe to,  however it also must be noted that there is a huge difference between wanting to be a mother, and  being told that being a mother is all you are allowed to aspire to be as a woman. So the fact that  Barbie had her own job, her own house, and her own car, and could be anything in a time where  women could not even have their own bank accounts was hugely significant and the motto that  Barbie can be anything was and still is hugely inspiring.  

In Barbie Land, all of the Barbies believed that this belief that women could be anything and that  they were fully empowered had liberated all women in the Real World, so Barbie was expecting a  very warm welcome, however things didn’t go as Barbie planned. 

Before fully diving into the themes of Barbie, it is crucial to talk about Ken. Ryan Gosling was the  perfect Ken to Margot Robbie’s perfect Barbie. He was brilliant, his comedic timing and his  commitment to the role of Ken was hysterical. He had the entire cinema laughing.  

At this point I’d like to note that I cannot remember the last time I was in a full cinema. The entire  screening room was booked out and every single seat was filled. The sea of pink was delightful to  see. Everyone was excited, everyone was taking turns taking photos in the Barbie box in the lobby, and the overall atmosphere was just so much fun. I think we could all do with some more “We’re  going to see the Barbie movie” energy in our lives.  

Back to the plot. Ken desperately wants Barbie to open her heart and her dream house to him. He  ends up accompanying her on her journey to the Real World and while Barbie is horrified by the  patriarchy, Ken is overjoyed.  

This is where one can start to jump into the themes of Barbie. In Barbie Land, the Kens are just  Kens. She’s everything and he’s just Ken. It is Barbie’s dream house and she does not want him  there. He does not stay over because it is girls night. Every night is girls night. As the narration  says, Barbie has a perfect day everyday and Ken only has a good day if Barbie notices him.

Ken feels left out and under appreciated so when he sees that men are powerful due to the patriarchy in  the Real World, he is eager to bring that philosophy back to Barbie Land.  

So this is where I can see why some people would call this movie “anti-men” because Ken is  presented in a fur coat, a bandana, there are horses and trucks everywhere, and he comes across like  a macho idiot. This is too easy, and it does not pay attention to the way that the movie addresses  how the system of the patriarchy is harmful to women and men. I will say that the patriarchy is  more harmful to women than men, because men benefit from the patriarchy. Ken’s experience in the  Real World highlights this. Immediately after arriving Barbie is catcalled, she is groped by a  stranger who slaps her on the behind, and she senses a violent undertone in the way that people leer  at her. For the first time ever she is self-conscious and nervous about her personal safety, whereas  Ken feels admired, powerful, and emboldened when he sees a man very rudely dismiss a woman, a  colleague, and get away with it. He sees the patriarchy as a system that will appreciate him and give  him power, and he does not think about the way it hurts women. 

While Barbie is searching for the girl who is playing with her, Ken goes back to Barbie Land and  without Barbie there to stop him, he begins to take over and turn the place into a Kendom.  He takes over Barbie’s dream house, completely destroying it, and as all the Kens get onboard, the  Barbies become brainwashed. These powerful women who were doctors and lawyers, and the  President, are reduced to beer bringing maids. No, this is not an exaggeration, they’re literally given  French maid outfits to wear because the patriarchy views women as subservient to men.  

While it is clear that Ken was taken for granted at the beginning of the movie, it is interesting that  him gaining more power involved stripping women of theirs. He could not just be on the same level  as these powerful, intelligent, accomplished Barbies, he could not just give the Kens the same  status, he had to be on top.  

In the Real World, Barbie finds the girl who has been playing with her or at least Barbie thinks she  has when she finds Sasha. She is devastated to learn that Sasha and her friends think that Barbie has  not helped women at all. Sasha states that Barbie has made women feel bad about themselves due to  setting impossible beauty standards, but Barbie argues that that was never the point, the point was  supposed to be that Barbie could be anything.  

I found this very interesting because initially I thought that this would be the core argument of the  movie. I played with Barbie dolls when I was a little girl. I had the dream house and the plane, and I  always remembered the tagline of you can be anything! Barbie was magical, she was amazing, and  I never felt any kind of societal beauty pressures because of a doll. Barbie was always empowering  and I say that as a woman in my twenties. I’ve never heard any of my peers say that Barbie had a  negative impact, we all have very fond memories of playing with Barbie dolls when we were  younger and watching all of the Barbie movies. That is not to say that I’ve never heard Barbie being  critiqued, but I will say that any criticism I’ve heard about Barbie was always from people who  were older than myself, who never really played with Barbie dolls, and who kind of seemed to miss  the “You can be anything” memo. So it was interesting to see a teenager have that negative opinion  of Barbie in this movie. 

The plot twist came in the form of Sasha not being the girl that Barbie needed to find, instead it was  her mother. All of the memories that Barbie was seeing of young Sasha playing also included her  mother playing with her. Her mother Gloria works for Mattel. She’s been drawing Barbie dolls, one  of them being “Thoughts of death Barbie” It is Gloria’s thoughts and feelings that are merging with  Barbie’s and it is Gloria who delivers the most poignant and powerful monologue of the whole  movie.  

In her quest to fix everything, Barbie brings Sasha and Gloria back to Barbie Land where she  discovers what Ken has done. While confronting Ken, he asks her how it feels to be dismissed?  He informs her that every night will be boys night from now on. The parallel is clear.  

Now. I have two conflicting thoughts about this point, because on one hand I think that the Kens  were overlooked and dismissed by the Barbies at the start of the movie. When Ken asks her how it feels to be treated like this, Gosling did an amazing job of letting the hurt break through the  faux-macho facade. I don’t think anyone, man or woman, should be dismissed and treated as less  than, however I also worry about saying that Barbie’s lack of attention caused Ken to act this way.  He lashes out due to being hurt yes, however I think it is worryingly easy to twist the entire plot in a way that blames women for men’s anger and harmful reactions due to affections not being returned.  It is a slippery slope and I do wish that the movie would have handled this more carefully.  

Barbie is devastated by the loss of her dream house and by seeing her friends reduced to mindless  carriers of beer, and she is still struggling with all the new feelings she is having about life and  death and meaning. She breaks down crying and when asked what is wrong, she tells Gloria that she  is not pretty anymore. She’s weird.  

Gloria, played by the brilliant America Ferrera delivers a powerful monologue about the  complexities of being a woman. She passionately lays out how it can feel impossible, because so  many expectations are placed on women and so many of them are contradictory. You have to be a  boss but never hurt feelings, you have to lead but listen to everyone, you have to be a mother but  never talk about your kids, you have to be pretty but not too pretty. The list goes on and on.  At this point the narration interrupts to say that Margot Robbie was the wrong person to cast to talk  about not feeling pretty and this line got a laugh in the cinema, but this got me thinking.  

I think Margot Robbie was the perfect person to cast to make this point because yes, she is  gorgeous. She is extremely conventionally attractive, yet she still feels the pressure that comes with  the expectation to be pretty. If the beautiful Margot Robbie sometimes feels unattractive, it just  highlights even more in my opinion how someone can be beautiful, but they will still struggle and  feel the pressure that society puts on them. Gloria’s speech breaks the Barbies out of their trances  one by one and together they take back Barbie Land.  

It is at this key point that the movie highlights how damaging the patriarchy is, not only to women  but to men too. Ken sees everything he has done crumble and he is upset, but he does not cry  because he feels he can not and should not cry. Barbie tells him that it is okay to cry.  

Hilariously, he tells her that he lost interest in the patriarchy when he found out it was not actually  about horses but he felt such pressure to lead, to keep up the facade. This moment highlights how  men face enormous pressure too. Pressure to be leaders, to bottle their emotions, to put on a tough  facade all the time, to like huge trucks, and sports and to never go against the grain because if you do that then you’re not a “real” man. Of course it is okay to like trucks, and to like sports etc.  The problem arises when society tells men, you must like these specific things and behave in this  specific way, because if you don’t, then you’re not a “real” man.  

Ken has been defining himself by his girlfriend, his job, his car, his house, by all of the things in his  life instead of figuring out who he is. He needs to learn how to be just Ken, without those things,  and he needs to learn that that is enough. It is interesting because I think women are often defined  by the things in our lives. We’re asked if we have boyfriends, are we engaged, do we want kids, and  then if we have kids we get asked about mam guilt and how we handle being a mam while working  etc. etc. It was interesting to see that trope subverted as so many romantic comedies follow a  woman who must find her own identity outside of the relationships in her life. 

Barbie apologises for taking Ken for granted, and I really wish he would have apologised for how  he treated the Barbies and for ruining her dream house, but instead he just thanks her for her  apology and supports her on her quest for meaning in her life. 

This is the point that I really wish had been handled differently, because while it is true that  Ken was taken for granted, he did treat the Barbies badly. The Kens were just Kens yes, but they  were never stripped of their jobs and made to bring the Barbies drinks while wearing French maid  outfits. So I do think Barbie was owed an apology too. If that scene had been a few minutes  longer, if Ken had apologised for his wrongdoings too, that would have felt better in my  opinion.  

The movie ends with Ruth Handler, the creator of Barbie, giving her a choice. It is another poignant  scene because Ruth tells Barbie that she named Barbie after her own daughter, and she always  wanted her daughter and Barbie to do great things. She says that mothers stand still so that their  daughters can look back and see how far they’ve come. That line made me cry all over again. It is  such a beautiful line. It is so easy to critique women of the past. I discuss a particular pet peeve of  mine a lot which is when women of a certain time are critiqued by today’s standards, especially in  period pieces. It is not fair to judge a19th century woman by today’s rules or a 1950’s woman by  today’s rules. So many women of their time did what they could when they had very little rights,  very little education, and very little autonomy. While it is still not perfect in 2023, we’ve come a  long way. My great grandmother, my grandmother even, my great aunt who is in her nineties, she is  in awe of the things that I get to do and say and be, and she is so proud. This line made me think of  her, and of all the women who were young at a certain time, who had to leave school at fourteen or  younger, who were considered “on the shelf” at just twenty-five or even younger if they weren’t  married by then. It made me think of how they raised another generation, who raised another, who  raised my generation. I’m so proud of my mam, of my grandmother, of my great grandmother, and  the thing that Barbie really highlighted, the thing that made me, and so many other women in the  cinema so emotional is the fact that we were all girls once.  

So the movie ends with Ken accepting that he is “Kenough.” Glorious! The entire cinema laughed  again. I don’t remember the last time I laughed so much at a character.  

Barbie makes a choice. She no longer wants to be an idea, she wants to be the person making the  ideas. She wants to be real, to experience life and have all the feelings. So that is exactly what she  does. She becomes real.  

Overall I thought Barbie was lots of fun. It was bright, it was pink. It was a celebration of girlhood  that touched upon the complex realities that come with maturing into a woman. There is internal  pressure, there is external pressure, and it is so important to know your own worth and not be  defined by other things. Again, while it is not a perfect movie, and its message could be more  nuanced at times, this movie is definitely not anti-men. I don’t think it is anti-anybody. I think it  brings really important topics to the table. I think it is a movie that opens the conversation. I think it  shows how women and men can be negatively impacted by issues, and how the key really is to be  kind and respectful and caring to everyone.  

I would absolutely recommend it. I will be going to see it again.  

This Barbie is a movie lover! This Barbie is a literary reviewer!  

Be sure to follow me on Instagram @katelovesliterature for all updates.  

My Florida Travel Diary is #comingsoon and my feed is full of the new #beautifulbooks that I’ve  been adding to my bookshelves. Check it out!

Mini Review Week: The Collection

This week I published a #minireview on my Instagram grid every single day. 

I reviewed a version of Cinderella: Scissorella, The Snow Queen, Mia and the Miffkins, Arthur Who Wrote Sherlock, and The Day Fin Flooded the World. I’ve shared the reviews below as promised, so you can read them here on Katelovesliterature.com as a collection. I hope you all will enjoy them. 

These reviews are very short and sweet, a quick summery of what I thought of each picture book. 

This was a fun week for me. I enjoy trying new things, and I hope that you’ll feel inspired to pick up one of these books to read for yourself! 

I will be #outofoffice for the next two weeks because I am away. 

I will be sharing lots of photos and stories on my Instagram while I’m away so be sure to follow me @katelovesliterature so you don’t miss out. 

I will be writing an in-depth travel diary when I am home. 

Here’s to July, I hope you all have a fantastic month. 

Mini Review Week: Picture Books!

I am very excited about all that is to come here on Katelovesliterature.com

If you follow me on Instagram then you’ll know that I am in countdown mode. My holidays are coming up very soon and I could not be more excited. 

There are some really fun travel pieces coming up very soon, but in the meantime I decided to do something different. 

Everyday this week I am publishing a #minibookreview on my Instagram grid. Recently I added some brand new picture books to my collection and I thought it would be fun to pick a book to review every single day this week. 

So if you don’t already follow me on Instagram then here is another reason for you to do just that so you don’t miss any updates. 

I will be publishing all of the reviews here too at the end of the week, but to read my daily #minireviews as they’re published be sure to follow me @katelovesliterature