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Derek Landy’s “A Heart Full of Hatred”: Mature Themes in Skulduggery Pleasant

A Heart Full of Hatred by Derek Landy. 

A review by Kate O’Brien. 

Landy has brought us back to the world of Skulduggery Pleasant yet again. In this latest book,  Valkyrie Cain learns that she is the next target of a killer. Skulduggery and Valkyrie find themselves wrapped up in another murder investigation, but the most unsettling part is that this case feels all too much like a case they just closed. 

For the first time, Valkyrie reflects on the dangers of what she does as the last case nearly took the lives of both her sister and her girlfriend, and now the same pattern seems to be emerging. Are those whom she loves in danger again? The killer is working hard as more bodies are piling up and the clock is ticking. The elites of the sorcerer world are planning to gather on a remote island to witness a special ceremony that might change the society forevermore. As expected, nobody is safe. If you’re a fan of Landy, you know that you’re in for a book of twists and turns. 

The Skulduggery Pleasant series continues to evolve, and those who know Landy’s style to be action-packed and very funny due to his sarcastic wit and sharp, fast, and very dry humour, will be glad to see that A Heart Full of Hatred remains true to that known and loved writing style. 

I will say that I feel as though this book is more character focused than some of the previous books. It does feel more mature in tone, especially as Valkyrie is beginning to reflect more on her feelings, and notably, on her fears. I’ve often said that I think that readers who grew up loving the Skulduggery Pleasant series will definitely enjoy these books, perhaps a bit more than readers who are just discovering the series now. That’s not to say that new readers would not or could not enjoy the series now, but there is a special sense of nostalgia that accompanies a series when you started reading it as a child and you continue reading into adulthood. How we feel about the characters, and how we relate to them evolves as we age, and I think the fact that this series has been in the world for so long is part of why some of the arcs are so impressive. 

I do think that I would be recommending the books now to older teens because they do feel darker now, especially because of how the tone has begun to shift. There is always a political and social awareness that can be identified in Landy’s writing, and in terms of viewing things through a lens of childhood and YA reading, there is absolutely a notable shift in Valkyrie specifically, because this person who was once quite cocky and believed they were indestructible now understands that they very well could be killed, but Valkyrie looks danger in the face anyways. She will not be deterred from investigating these murders. In this shift though, I would argue that readers can relate to this arc because as we get older, we do become more aware of our own limits and how things can threaten us, and we don’t have the same fearless abandon that we had as children when we didn’t understand that there are threats that are very real. So, I do think that this idea of feeling fear but going forward anyways really appeals to long-term fans of this series, because although the world of Skulduggery Pleasant is filled with magic, mystery, and wonder, the personal arcs we get to see are still very relatable outside of the fiction. 

I think it is quite obvious that Landy is leaning into horror genres that he loves when writing these newer books. Based on Landy’s dedication alone, in which he dedicates A Heart Full of Hatred to Freddy, to Michael, to Ghostface, “to all of the slasher movie killers…to all of the wonderful ways they’ve thought of to kill somebody …also to those who survived their rampages, who stopped running, turned around and kicked their asses,” I do think it is fair to say that this book feels very much like a nod to all the slasher movies that Landy himself must love. The book could almost be a great way to introduce a teenage reader to the slasher genre, but beyond all of this, I do think that resilience is the key theme of this latest book. 

There will always be things to fear, dangers will lurk more often than not, and sometimes we will fear for the ones we love most, but we cannot hide from those dangers. We must face them head on and always find the light in the dark. 

I would recommend A Heart Full of Hatred to any long-term Landy fan and to readers 14+ 

Thank you to HarperCollins Ireland for sending me an advanced copy. Please note this is not a paid review, not an ad, not PR etc. I was not asked to write anything, but I wanted to share my thoughts and as always, all thoughts and opinions are my own. 

Stay tuned for more literary discussions coming soon on Katelovesliterature.com 

Follow me on Instagram @katelovesliterature if you don’t already. 

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Mini Media Reviews

Dear readers,

I have been away from my desk more often than I would like to be. While I still absolutely love discussing all things literature, and I am sad to have to pause some long-form discussion ideas for a while, I have decided that a break is needed.

Katelovesliterature.com has always been my passion project. I love my little website, and I love putting thoughts, ideas, and discussions about the wonderful world of literature and the arts out there for anyone to enjoy, and it is so lovely to see people engaging with thoughts I’ve published. It is hard to admit that a break is needed, because I am a person who enjoys doing many things at once, but my full-time, real life job involves writing every single day (I love it!), and so it is getting harder to find the needed time to put the effort I want to into pieces for my passion project. I’ve never just thrown out unfinished thoughts. I like to write notes on the ideas, the points I want to make, and then I write a first draft, I proof it, etc., etc.

I could be less strict about that process, but I never want to just throw anything online. That is not how I do things. If I am going to publish a review, or any kind of literary discussion, then I want to take the time needed to write it properly.

I am taking a break from publishing long-form discussions for the time being. I’m not sure when I will publish a piece here on Katelovesliterature.com again, but I will be remaining active on Instagram. I plan to publish mini reviews on my grid, and you can always follow along with what I am reading and watching as I share on stories frequently. While Instagram is not an overly serious social media platform, I do ensure that any kind of review I post there is well thought-out too, so if you do enjoy my longer discussions here (thank you!), hopefully you will also like my mini media reviews too.

You can follow along @katelovesliterature

Thanks so much to everyone who has ever left a comment or sent me a lovely message following a piece, you know who you are. I appreciate everyone who has followed along as I have built up my portfolio of reviews and literary discussions.

P.s.

Happy Halloween! Be safe, have fun.

Kate xo

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2:22 -A Haunting Review

2.22: A Ghost Story 

Do you believe in ghosts? Why? Why not? Can you prove they exist? Can you prove they don’t?

What exactly happens at 2.22am? 

These are the questions that we explore in 2.22: A Ghost Story. Danny Robins’ play asks  audiences to consider if the supernatural is truly real or not, or do we just turn to ghost stories when something happens that we can’t explain? Maybe we don’t want to explain. Maybe blaming a ghost is easier. 

New parents, Jenny and Sam (Sammy), are at odds because Jenny has been waking up for four nights in a row to unsettling feelings, strange noises, and eerie energy in her baby girl’s room at 2.22am. Sam was away on business so he hasn’t experienced the strange events yet, nor does he believe in them because he is the sceptic of the play. 

The evening is already tense, but things go from bad to worse when Sam’s old friend from college Lauren (Loz) arrives for dinner with her new boyfriend Ben. Sam and Lauren are the scientifically minded pair, while Jenny and Ben are more open to believing that perhaps spirits do join us. They have a sense of faith. Maybe those who have passed do try to make some form of connection from an afterlife somewhere. 

The entire play is set over one evening. Jenny, an exhausted new mother who is sick and tired of her husband not taking her very real fears seriously, makes the group promise to sit up with her until 2.22 in the morning. Her plan is to prove that strange things happen at this time, things that appear to be targeting her baby. As the night plays out, egos are bruised, fights are picked, and tension builds and builds. 

I enjoyed the play. It is rare that I see something that I don’t know anything about. Usually I know the play already or I have some ideas about the plot, but I went to see this one blind. I felt it was well-written. I really enjoyed the conversations about tearing down houses and putting up “modern Ikea kitchens.” Places have layers and it is important to think about the history that people and places leave behind. Even if we don’t believe in ghosts, when people are alive in our memories, doesn’t that mean they’re still with us? 

The thriller/tension builds very well as there were several strange occurrences that felt completely unexplainable. Such as who drowned the teddy bear with white spirits? How did it get in the bathroom? Is Jenny’s exhaustion causing her to imagine things? Is she having severe anxiety because she is a new mother, determined to protect her child? Or is there something more sinister in the house? 

The play explores people too. What we do, why we do it, how do we come to believe what we believe? How and why do we make certain choices? What if we made different ones? 

Sam and Lauren are quite clearly more than just old college friends. Ones who never dated, but maybe feel they should have. None of her boyfriends ever match up to him, and he never likes anyone she dates, the two seem to be always on the same wavelength until Lauren is more open to the idea of ghosts. 

In my opinion, Lauren and Sam are the most complex characters in the play, and Colin O’Donoghue and Laura Whitmore are solidly intense and brilliant in the roles. Lauren works in mental health, and she’s clearly well-educated, immaculately dressed, but she feels as though she is missing out in certain regards. She’s missed out on one thing, on one person she wanted the most. She’s funny, cheeky, but also clearly struggling with heavier feelings and as the play goes on, her arc is highly engaging. 

Sam is a classic sceptic. Always rolling his eyes, always ready to pick apart the amazing and unbelievable. He gets a kick out of explaining things to people. He’s very unlikable. 

If there was one aspect of this script that I didn’t love, it’s that this play is written by someone who clearly believes in ghosts and enjoys ghost stories, so Sam is portrayed as a cynical, asshole, sceptic. It is typical in these kinds of stories to have the sceptic be always ready to reel off a bunch of facts in a gotcha fashion. 

The issue I found was that Sam is unlikable for other reasons, he’s an asshole in many ways, but he’s not an asshole because he’s a sceptic, he’s actually just a sceptical asshole. The difference is important. I don’t dislike Sam because he refuses to believe in ghosts, I dislike Sam because he’s condescending, arrogant, and he talks down to his wife (and everyone else) constantly, while getting far too close for comfort with Lauren. The biggest issue is that he cannot seem to give his wife any sort of sensitivity. Even if he does not believe in anything supernatural at all, he cannot even acknowledge that the fear his wife feels is very real. Instead of insisting the whole thing is ridiculous, it would have meant a lot if he could have just said “Clearly something is scaring you, and we’ll get through it together.” 

I enjoyed the play and I loved the intense dynamics of the four main characters, but I would have loved to see a touch more nuance with this one aspect of Sam’s character. I don’t think his role as the sceptic would’ve been negatively impacted or less compelling if he’d have been a touch more willing to listen. His arguments for logic, reason, and science could have remained the same. 

Ben’s character is kind of an unsung hero in act two in my opinion. He’s the new boyfriend, the newcomer to the group, and he’s a bit rough around the edges, but his convictions in act two are very powerful. Jenny also has her finest moment towards the end of act two in my opinion, and while I will not be divulging any spoilers, I will say that Shona McGarty moved me to tears with one of her final pieces of dialogue. 

Colin O’Donoghue (Sam), Laura Whitmore (Lauren), Shona McGarty (Jenny), and Jay McGuiness (Ben), were absolutely fantastic. It is really impressive when casts are so small because being onstage for nearly the entire play is no small feat and these four characters are all present, nearly always. Sometimes two go off while another two chat for a while, but predominantly, these core four are giving passionate performances the entire time, and the subject isn’t exactly light. So, bravo and congratulations to the cast, and to the crew. 

It is a play that I’d highly recommend, and one that I would see again and watch differently now that I know how it ends. Are ghosts real? You’ll have to see the play to find out. 

Follow me on Instagram https://www.instagram.com/katelovesliterature/ for all updates about what is coming up next. 

Do you believe in ghosts?